The Sunnyray

  4. GENIUS AND IDEA, NECESSARY CORRELATION If we consider that no human sense has greater objectivity than vision, then the other senses, especially smell and taste, will be the subjective senses par excellence. However, in the metaphysics of the beautiful, music is the language of the thing itself, and this is due to its effect of resonance of the sound spectrum, but it is also something that operates in the realm of what is tactile. And yet, since such resonance and spectrum reach even to the subatomic level of DNA, as has been recently proved, then we have that musical language may indeed be the most direct and unreasonable language, a since the subatomic level reached by musical resonance is that of deepest consciousness. Therefore, such a language is capable of entering the dimension of what we currently call quantum. But in the mysthesis, music being the most adequate object of Cosmic Energy, and what exposes the metaphysical for every physical, for every phenomenon the thin...

  5. THE TWO WAYS OF KNOWLEDGE (1) The ultra-sophisticated metaphysics of Buddhism tells us of pratītyasamutpāda, the interdependent origination, where all phenomena are the result of mutually dependent existences. Now, this is something that we can use here as a metaphor to mainly elucidate our metaquantum fifth dimension as well. But when we think of ouroboros, it would serve to illustrate the old wheel of Newtonian mechanics, the same wheel that was broken by Einstein's theory of relativity. By this we mean that if our mystéthika is not limited to a linear cosmological view, where things are limited to merely mechanical and apparent movement in ordinary chronology in general. So what would we say about the metaquantum? That's why we start from the metaphysics of the beautiful and, in this case, the best thing to do is to start with a direct exposition of the two paths of knowledge in focus. Thus, let us consider initially that the principle of reason conditions experience as...

 6. THE TWO WAYS OF KNOWLEDGE (2) In the metaphysics of the beautiful, we saw that a conceptual description of the beautiful in nature and in art, for example, is properly philosophical, in the sense that philosophy exposes in abstracto the essential meaning of things. But the meaning of a thing, that is, its abstraction, is not properly an idea and a thing in itself; since this must be understood by itself, and that, the concept is always indicated and represented by something entirely other, since it cannot of itself be intuited. So that old conception of time nunc stans was the proper term to refer to Kant's thing-in-itself, and its proper objectivity, Plato's Idea. Therefore, every non-intuitive representation is properly abstract, because it is inappropriate for the verification of an idea in the aesthetic intuitive that clings to an object, tearing it from the temporal succession, in such a way and with a vivid intensity so grandiose that makes all the the rest becomes ex...

  7. THE CREATIVE GENIUS (1) According to the principle of reason, which considers things through relationships, no one is able to grasp a simple idea. However, the whole world would not sustain itself without the Idea of ​​Humanity, even though this is not an authoritarian imposition of any kind, but without that Idea the sensitivity of creative genius would have no ultimate epistemic value and would be overcome by cold technicality. That is to say, we would be eternally subject to a dull life, where any supremacist artificial intelligence, for example, could take the place of creative geniuses, since it would be able to conceive ideas and carry out compassionate works as well. At this point, we cannot forget that the minimum 'operational' mystic must be based on the heart-brain-pineal triad (that is, for the mystéthika works of love); for without mysthesis, technocratic authoritarianism would prevail at the expense of human sensitivity and creativity. It should be noted at th...

 8. THE CREATIVE GENIUS (2) Francis Bacon (1561 -1626) had already warned us that: the artist's work is always to deepen the mystery. This made us think of a mystéthika of ethos, that is, of something deeper and in which philosophical mysticism, sapiential clairvoyance and aesthetic intuition come together to account for that Idea of ​​Humanity. In this way, mysthesis, operating in the power of the dialectical-dialogical-epistemic procedure, allows us to know life and the set of fundamental customs and habits, from the perspective of the Cosmic Eye, the one in the eyes of the creative genius, the unveiling of every mystery of nature and also the enigma that is the human world. At this point, we must point out a very interesting notion, one that goes back to the ancient myth of the Eye of Horus. In ancient Egypt, the Eagle was believed to be the daughter of the Sun and Moon. When such a bird laid its eggs on top of the mountain, during the night, most likely in dreams, the Pharaoh a...