The Sunnyray

  SUMMARY GENERIC Starting from the poetized critique of metaphysical pessimism and with a clear focus on the metaphysics of the beautiful, taken as both a starting point and a background, this book embodies a unifying understanding of the notions of value and freedom in aesthetics and ethics. From the exaltation of music as a privileged way of accessing reality (das Ding an sicht), the possibility and how of immediate and timeless knowledge unfolds, something that presupposes an epistemic extrapolation of the logical square of science, guided by the paradigm of subject and object, both mediated by the understanding. Some neologisms are presented, highlighting mistese-mystéthika, the basic 'binomial' for future metaquantum. Thus, instead of perpetuating the old three-dimensional dualism, the stylistic boldness of M. Santos will lead us to a new interpretation of the meaning of the world, proposing five-dimensionality as the new epistemic paradigm, something that will have reper

  1. THREE GUIDING CONSIDERATIONS Throughout this book, we will develop a discourse capable of activating the reader's creative imagination. Initially, and to better explain our intention, we will use three aphorisms that can serve as guides.  In this way, before proceeding to the following chapters, an initial reflection can be made, something that will extremely facilitate the full understanding of the book at the end of the study. These are the sentences: 1. It is by way of conduct that people show themselves to us, therefore they teach us who they are. Thus, we will live better remaining immune to what they try to impose, that is, what we are essentially not. To this first consideration, we will metaphorically associate the brain as the organ of reason and also of the correct discernment of judgments in general as well as of actions, whether the most appropriate or not. 2. In general intuition and insights into Eastern thought and Western philosophical monisms (eg advaita, mona

 2. THE VALUE OF DISINTERESTED HUMAN BEING There is an intuitive way of approaching the world that is capable of generating rest and tranquility in the face of the incessant swing in the pendulum of human desire and suffering. In turn, this ideal knowledge is non-subjective and occurs to those who merge with the natural Beauty as directly as disinterestedly. This elevation of the individual to the pure subject of knowledge defines the primacy of immediate knowledge over the empirical, and it is where the possibility of knowledge of reality itself occurs. This immediate condition of knowledge of the Idea occurs in human consciousness, understood here as a quantum field that intertwines with the organism, based on the three indispensable pillars of the human body.  The three pillars on the screen are: reason (embodied in the brain), intuition or immediate knowledge (embodied in the pineal gland) and vitality (embodied in the heart and which configures the emotional and compassion center

  3. DECLINE OF ALLEGORY AND CONCEPT IN FACE THE BEAUTY It has become clear to us that in the metaphysics of the beautiful there is a primacy of aesthetic intuition over ordinary rationality, of the Idea over the concept, and also of beautiful art over allegory.  Therefore, if there is a differentiation between the fleeting freedom of the artist and that probable duration of the sage's clairvoyance in the world, this seriously compromises the notion of nunc stans. However, mystetically speaking, what happens is just the opposite, that is, through the notion of nunc stans both the fleeting of art and the enduring of ethics become something indistinguishable. However, this will be clarified in detail throughout this work. Now, as there is no beauty in the pleasure of pure thought, mas only pure intuition diverts us from the occupation with our individualistic goals and ejects us definitively from our egocentric personality. So, a work of art is not produced by the artist, with the ai

  4. GENIUS AND IDEA, NECESSARY CORRELATION If we consider that no human sense has greater objectivity than vision, then the other senses, especially smell and taste, will be the subjective senses par excellence. However, in the metaphysics of the beautiful, music is the language of the thing itself, and this is due to its effect of resonance of the sound spectrum, but it is also something that operates in the realm of what is tactile. And yet, since such resonance and spectrum reach even to the subatomic level of DNA, as has been recently proved, then we have that musical language may indeed be the most direct and unreasonable language, a since the subatomic level reached by musical resonance is that of deepest consciousness. Therefore, such a language is capable of entering the dimension of what we currently call quantum. But in the mysthesis, music being the most adequate object of Cosmic Energy, and what exposes the metaphysical for every physical, for every phenomenon the thing-in